Showing posts with label Taiwan. Show all posts
Showing posts with label Taiwan. Show all posts

Sunday, August 16, 2015

(1036) Koror Transformed Into Chinatown 2015 (WHERE WILL PALAU BE IN 99 YEARS?) By Santy Asanuma






     (KOROR TRANSFORMED INTO
            CHINATOWN 2015)

    WHERE WILL PALAU BE IN 99 YEARS?
                     By Santy Asanuma

 
“Wow! This is quite a transformation (klou el mlamengodech) in Palau since the last time I was here last year. I have been to restaurants in Koror where everything is in Chinese including the people. In fact, I have not seen more Chinese in all of Micronesia than in Palau today,” said an Australian stationed in Marshalls who has been visiting Palau few times in a span of last year and half.  At night she would go to restaurants to eat and could not believe her eyes that the streets of Koror are literally filled with Chinese everywhere she looked. She was nice in saying her observation but I could sense her obvious wonderment (mechas a rengul) why is this happening. Nonetheless, this is the picture of Koror nowadays.

Base on the premise of the reality of what is happening, we have to tweak everything in Palau to fit the Chinese perspective or taste because it is economically lucrative (nguchul a usisebelela udoud). In purely business sense for more money, this is the only way to go. In fact, many young Palauans are now feeding on Shaowarmabeef sandwiches and Pong Pong fried fish balls as if they grew up on them and have become regular part of their diet. The locals are riding this wave of excitement in trying new and exotic tastes like various cooked jellyfish and sea cucumber dishes that were only available before to the jet travelling Palauan public officials going to Taiwan, Hong Kong , and China. Now these things are proliferating in Koror and are here to stay for the common Palauan to enjoy anytime, more importantly, because the waves of visiting Chinese tourists have to be fed with their own food.

The fight between two China has finally reached our shores and well under way in the full blown spectrum of Palauan society including land and everything on it. On one hand, Taiwan is our dear friend and we have sealed our strong diplomatic relationship between the two countries based on democratic principles. And this partnership with Taiwan close to twenty years has proven beneficial to Palau’s development in terms of stimulus by $10 millions every year. Of course, Palau is an ardent supporter of Taiwan in UN second to none which is what Taiwan needs for its sovereignty. We truly need each other. On the other hand, the mighty China is world super power with an economy rivaling with US economy and has 1.7 billion people. The obvious move for China would use economic means to come through the backdoor into our living room sort of speaking.
The mainland Chinese are quite clever to have acquired as many lands under 99 years policy throughout Palau. They basically have cemented their strong hold and secure their right to be here in Palau because the leasing program has unlimited renewal options. And sociologically (tekoi er a klechad) there is no stopping the heirs of land owners from getting more money hand outs or kickbacks (telechull malechub e ngulimoim) from the Chinese tenants to make the land agreements virtually endless. Moreover, there is no stopping Palauans during the tenure (delengcheklir) up to 99 years from now in getting accustom (ke de mo smau), and in fact, welcoming the idea of integrating and assimilating Chinese culture into our own. I cannot help it but point out that young people are more tuned and drawn to the sound of “pongyo” than “akii” in the local contemporary songs.
The transformation has begun whether we agreed to it or not. But by mere observation around the world, Chinese as a culture tend to be ethnocentric (ng diak murachem) and usually do not blend well with other cultures. This is obvious in San Francisco and Olongapo in Manila to name two places where Chinese people managed to build their own separate communities commonly as “China Town.” Here in Palau it is all over so there is no telling where China Town will be. In 2006, Solomon Islands erupted in ethnic cleansing by burning down China Town which left over 1,000 Chinese residents homeless. Around 1906 Chinese laborers were imported in a concerted move to help build the Solomon Islands so that exactly 100 years after! We are building Palau but to what extent and direction?
WHERE WILL PALAU BE IN 99 YEARS?


Source: Ngarker Cholbechel
              By Santy Asanuma "social compass"
              santyasanuma@gmail.com
              Tia Belau Newspaper
              Page 6
              Volume 24
              Issue 18
              March 02, 2015 


Thursday, September 5, 2013

(584) MUSIC AND ME (August 29, 2013) SINGING TAIWANESE GUY

60 NT (Taiwanese Dollar) FROM SINGING TAIWANESE GUY
     This Taiwanese guy likes to sing Taiwanese song when he had a dinner at Waves Restaurant of Palau Royal Resort with his family and friends on Sunday, Sept. 01, 2013. He gave Roberto Hernandez 60 NT (coins) which he said is equivalent to US$2.00.                                   Photo by Roberto Hernandez
 er


 The singing Taiwanese guy is back after 4 days (Sept. 05, 2013). His name is Mr. Der-chi Tien. He wants to sing again and gave Roberto $2.00. He took the Taiwanese songs songbook and he sings near his wife and daughter. He requested "Yue Liang Dai Biao Wo De Xin" and "Tien Mi Mi".                      (Photo by Roberto Hernandez)





 He gave another $2.00 to Roberto and requested "Small Town Stories" and "Heart of the Bloom". Roberto played all Taiwanese songs at that hour.
Before going home/back to Taiwan, they had another pictorial with a beautiful Taiwanese lady taking the pictures.                     (Photo by Roberto Hernandez)




                                             CONTINUATION OF
                

repertoire of international songs

(Roberto A. Hernandez – Musician, Palau Royal Resort)



-F-





            FAITHFUL LOVE (Instrumental)
            FALLIN’ (Teri DeSario)                                                                                  R   166
1980    F A M E   (Irene Cara)                                                                                    DB  77
            FANTASY (Gerard Kenny)                                                                             DB171
1932    FASCINATION (Nat ‘King’ Cole) (1957)                                                      DB  72
            FATHER AND SON (Cat Stevens)                                                                V     33
1974    FEELINGS (Morris Albert)                                                                            DB  87
            FERNANDO (Abba)                                                                                     V     34
1964    FIDDLER ON THE ROOF                                                                           DB143
            FIRE AND RAIN (James Taylor)                                                                   DB258
            FIRE IN THE MORNING (Melissa Manchester)                                           DB259
            FIRST…BE A WOMAN (Leonor O Malley)                                                 DB  79
1982    FIRST LOVE (Seals and Crofts)                                                                    B   341
1986    FIRST LOVE NEVER DIES (Eugene Wilde & Joanna Gardner)                    R   167
            FIRST OF MAY (Bee Gees)                                                                          B   231
            FIRST TIME (Styx)                                                                                       R   168
1925    FIVE FOOT TWO EYES OF BLUE
            FIVE HUNDRED MILES (500 MILES)
            FLASHDANCE (What a Feeling) (Irene Cara)                                               DB260
1954    FLY ME TO THE MOON (In Other Words)                                                  DB144
            FOOLS FALL IN LOVE                                                                                B    54
1940    FOOLS RUSH IN                                                                                          R    30
            FOOL THAT I AM (Rita Coolidge)                                                                DB261
1971    FOR ALL WE KNOW (Carpenters)                                                              DB145
196      FOR BABY (BOBBY) (Peter, Paul and Mary)                                               B   118
            FORBIDDEN GAMES (Instrumental)
1985    FOREVER (Kenny Loggins)                                                                           B   234
            FOREVER (Rex Smith)                                                                                  DB178
196      FOR MAMA (Matt Monro)                                                                           B   121
            FOR NO ONE (Beatles)                                                                                R   204
1965    FOR ONCE IN MY LIFE                                                                             R     31
1968    FOR THE GOOD TIMES (Kris Kristofferson)                                              DB262
            FOR YOU (Japanese Song)                                                                           J      11
1981    FOR YOUR EYES ONLY (Sheena Easton)                                                  B   318
            FOUR STRONG WINDS (Neil Young)                                                        DB  79
            FRAGMENTS OF FOREVER (Nonoy Zuniga)                                         OPM171
            FREE AGAIN (Jack Jones)                                                                           DB197
            FRIENDS IN LOW PLACES                                                                      B     55
1990    FROM A DISTANCE (Bette Middler)                                                         G     63
            FROM HERE TO ETERNITY                                                                     R   123
            FROM ME TO YOU (Beatles)                                                                     R   187
1963    FROM RUSSIA WITH LOVE (Matt Monro)                                              R       7
            FROM THIS MOMENT ON
            FUR ELISE (Classical)
            FUTARI DE OSAKEO (Japanese Song)                                                      J      12


Source: Chess and Music (Perfect Combination)
             The Beginning of Chess In Palau
             By Roberto Hernandez
             August 29, 2013
             To be published as a book in the future 


 

Friday, August 23, 2013

(541) MUSIC AND ME (Aug. 08, 2013) Requesting A Song Or Two











SHE CAN'T BELIEVE IT

     The Taiwanese lady, 2nd from right, back row, can't believe that I was able to play for more than an hour all Taiwanese songs that are in her generation. She gave me $20.00 tip which is rare for a Taiwanese and have a photo session before leaving.                          (Photo by Roberto Hernandez)



        REQUESTING A SONG OR TWO
IT WAS not my night in August 05, 2013. When I started playing piano at Waves Restaurant of Palau Royal Resort from 7pm, there's a Taiwanese family in front of the piano.

There are 2 girls, 3 ladies and a guy. When I started playing Taiwanese songs, one of the lady sing-along with my rendition of Taiwanese songs.

There is also a young Japanese couple that are a few meters away from them. I alternately play 2 Taiwanese songs, 1 Japanese song and 1 American song.

The Japanese guy is somehow confused or amaze because even when I played the Japanese song "Kampai", the lady also sings it in Taiwanese version. The same as in the song "Sakeyo".

When I play "More Than I Can Say", she sings it also. There is also a Taiwanese version of that song by Leo Sayer. 

There is also another Taiwanese family of 4 close to their table. Their 2 teenage daughters approach me, with a dollar in her hand and ask for my Taiwanese songs songbook.

I gave her the songbook and she chooses a song there, with the title starting with "1945. .... "  I said to her that I'm not familiar with the song yet. She keeps the dollar. It's my first time to experience such stinginess.

Mostly when people requested me a song or two and they have money for tip, and I don't know the song/s that they are requesting, I usually ask who is the singer of that song if I don't know that song/s.

I will suggest that I'll play some songs of that singer and they will be satisfied with that and will give tip that is ready at hand.

On my last song of the night, the lady who always sings asked for the lyrics of "The Greatest Love Of All" and she sang it in key of C! It's a man's key but she can sing high notes.

Michelle Liao, comptroller of PRR, is having dinner with some friends at the wooden area of Waves Restaurant. She talked to Hazel, the supervisor, who said to me, "I didn't know that singing is not allowed here. Michelle might scold you later.Did they give you tip?"  I said no.

I played for straight 2 hours that night and didn't use the restroom so I didn't see that Michelle was there. 

THAT EXPERIENCE WITH TEENAGE TAIWANESE AFFIRMS MY EXPECTATION THAT TAIWANESE ARE NOT REALLY GIVERS LIKE JAPANESE OR AMERICANS.

JUST 2 NIGHTS LATER, I WAS PROVEN WRONG!!!

Many Taiwanese guests again when I played from 7-9pm on August 6, 2013.

When I am starting to set the keyboard at Breeze Bar for another 2 hours of music, there is a big group of Taiwanese occupying a long table. 

I noticed that they all had dinner at Waves Restaurant but they are using the Royal Snack, which they have to use on the same date written on it. It includes one drink and one appetizer.

After my first song, a Taiwanese guy requested me to play "Always On My Mind" by Willie Nelson and the theme from "Godfather" -- "Speak Softly Love".

He danced with his wife to the 1st song and asked me to stop on the 2nd song as it is too slow for them.

I played the Taiwanese song "Grandma's Penghu Bay" and most of them dance. I followed it up with all Taiwanese songs "Heart Of The Bloom", "Tian Mi Mi", "Yue Liang Dai Biao Wo De Xin", "Ye Lai Xiang" and "Lan Hua Cao".

BUT... WHEN I PLAYED THE "GAO SHAN QING" (Evergreen Mountain), all of them danced, holding each hand and making a huge circle surrounding the coconut tree in the middle.

It happened to me a few months ago that Taiwanese guests really like this song. And they did the same dance formation.

Jeff, the bartender, told me that I have to make the song longer because they're really enjoying it. So, I played the songs 3 times longer than its normal length.

A guy from the group gave me $10.00 tip. They continue to dance (slow or upbeat) for almost an hour. I have played almost all of the Taiwanese songs I know.

Later, the guy who requested me the first 2 songs gave me $20.00 tip!  They're not stingy.  

               MY OWN OBSERVATION SINCE 1980's:
When young people requested me songs, of course latest songs, I usually get no tips. It's because they're are not established yet financially.
   I remember in 1980, I'm playing at lunch time in Branding Iron Steakhouse of The Plaza Restaurant in Makati. Two young ladies requested "Rainbow Connection". I don't know yet that song but they don't want to leave until I've played it.

   One night as I'm sleeping, my roommate lets his FM radio playing till 2am and it plays "Rainbow Connection". I listen to it intensely trying to memorize its melody. But once is not enough. I need to listen to a new song at least 3 times, then play it with a keyboard or guitar at least 3 more times.

   There's also some occasion that you need to rely on your 'music instincts'. A few days after the Rainbow Connection request, I was requested again by a guy to play "Love Me Tender". I know the song but I haven't play it yet on the piano.
   I surprised myself when I played it for the first time and without mistakes!

   In 2009, Arnel Pama, chief steward of PRR, printed a Filipino song from internet "Bakit Ngayon Ka Lang" (Why You Came Just Now In My Life) and put it at the piano music stand and say, "Please try it and we will sing it if you don't know the melody."
   What happened amazed Arnel and he became interested in music. After playing sluggishly during the 1st stanza and chorus of the song, I was able to play the rest WITH EXPRESSION! as if I know the song long time ago.

   In 1986, I playing piano at Sinugba Restaurant when a young Filipino guest asked for my songbook. He will choose there his requested songs. My songbook is handwritten alphabetically. He chose 7 songs from letter A and wrote it on a piece of paper.

    I'm on the 4th song and here comes another 4 requested songs for letter B... it keeps going that I haven't finish yet his requests and new ones keep on coming.

    When he and his date left, there are still about 5 songs I haven't played yet. AND HE DIDN'T GIVE EVEN A SINGLE PESO!  If he used a jukebox with those requests, he should have spent at least 20 pesos!

    Days later, there is an American lady dining with some friends near the piano. She didn't request any song but gave me 50 pesos because she likes the songs I've played.



Source: Chess And Music 
             Perfect Combination
             The Beginning of Chess In Palau
             To be published as a book in the future 
  

  
     
               
          

Sunday, July 28, 2013

(522) MUSIC AND ME (July 25, 2013) Japanese or Taiwanese?




WHICH NATIONALITY?
    I'm confuse with this boy's nationality. He can sing-along with Japanese song "Oribia O Kikinagara" but when I asked him "O namae wa?" or what is your name?, he doesn't understand me.
                          (Photo by Roberto Hernandez) 


On Sunday, July 21, 2013, I attended the Sunday School/Service of Pentecostal Missionary Church of Christ 4th Watch (Palau Locale) where I was the President in the year 2008-2010.

My tithe is $10.00 and my offering is another $10.00. My love offering during Sunday school is $5.00.

It's the 7th birthday of Sis. Mariekor Salvador and we had lunch at the church of pancit, fruit salad, fried chicken, ice cream, papaitan, pork dish and rice. 





I brought some pancit and fruit salad to my wife Flor before going back to Palau Royal Resort.

When I started to play piano at Waves Restaurant, there are Japanese already in a long table with 4 kids.

When I played Japanese songs, they started to pay attention to my music.
 
One chubby boy comes close to me, looking at my calling cards and at my feet, that are alternating in their pressing the 2 damper pedals (sustain and loudness control).

I gave him my card. He showed it to the other kids. They come to me pretending to listen but I know they want to have my card also.

I gave one to each of them. They showed to their moms. The chubby boy's mother gave me $10.00 tip and videoed my performance of a Japanese song. 

The boy is beside me while I'm playing it. In the middle of my playing, I ask him, "O namae wa?" (What is your name?)

He didn't understand what I said. When his mom finished recording/videoed my performance, I ask her the same question. She didn't understand also so I ask it in English and she responded. THEY ARE TAIWANESE OR KOREAN!


Source: Chess And Music (Perfect Combination)
            The Beginning of Chess In Palau
            To be made as a book in the future