WINNERS ALL
The 5 contestants of the 2nd Chinese Songs Singing Contest held at Sea Passion Hotel on November 28, 2012 -- from left, Bow Umed (Champion), Howard Charles, Jr. (2nd), Jemty Peter, Jr. (Special prize), Latooya Ngirmetrang (Special prize) and Eaghan 'Owen Ngirudelsang (3rd). (Photo by Roberto Hernandez)
LEARNING GUITAR
THE PRACTICAL WAY
Source:
Music and Me by Roberto Hernandez
Tia Belau Newspaper
Pages 10-11
Volume 21
Issue 92
December 20, 2012
The 5 contestants of the 2nd Chinese Songs Singing Contest held at Sea Passion Hotel on November 28, 2012 -- from left, Bow Umed (Champion), Howard Charles, Jr. (2nd), Jemty Peter, Jr. (Special prize), Latooya Ngirmetrang (Special prize) and Eaghan 'Owen Ngirudelsang (3rd). (Photo by Roberto Hernandez)
LEARNING GUITAR
THE PRACTICAL WAY
Tia Belau’s graphics designer Christian Bolivar once asked me some practical ways to learn guitar, especially the G chord.
For serious students, I always emphasize to my students to learn playing the key of G using all fingers. There’s a ‘shortcut’ to learn G using only 3 fingers but in the long run, it will only hamper the potential rapid progress of a student.
The main point in learning to play the key of G the hard way is because it’s easier to play the G minor (Gm) by just lifting the middle finger; the G7 by lifting the small finger and the G minor 7 (Gm7) by lifting both the middle and small fingers.
When playing the C minor (Cm), you’ll just bring down your 3 fingers (middle, ring and small). To make it Cm7, lift the small finger.
When the time is ripe for a student to learn to play the keys B flat (Bb), B, C, C sharp (C#), D, Eb and E by using only 2 fingers (the forefinger and the ring finger), it’s the best that can be achieved for rapid progress.
Playing G the right way makes it easier also to play F# by just moving one fret to the left and one fret to the right to make a G# chord.
I recommend also to beginners to lower the pitch tune of the 6 strings of the guitar especially if they are using guitar with steel strings. Nylon strings are also recommended for lesser fingers pain.
CONTINUATION OF “REPERTOIRE OF INTERNATIONAL SONGS”
-B-
1979 B A B E (Styx) R 149
BABY BLUE (Hawaiian Song) DBI 45
1982 BABY COME TO ME (Patti Austin) B 306
1976 BABY I LOVE YOUR WAY (Peter Frampton) (Big Mountain)*1994 R 148
1971 BABY I’M-A WANT YOU (Bread) DB212
BABY IT’S YOU (Beatles) R 190
1969 BAD MOON RISING (Creedence Clearwater Revival)
BAHAY KUBO (Filipino Song) OPM125
BAHAY KUBO (Pineda, dela Cruz, Hernandez) (Fil. Song) OPM 5
B A K I T (Filipino Song) OPM210
BAKIT BA (Siakol) (Filipino Song) OPM189
BAKIT BA (Jessa Zaragosa) (Filipino Song) OPM204
1982 BAKIT BA GANYAN (Dina Bonnevie) (Filipino Song) OPM 52
1979 BAKIT LABIS KITANG MAHAL (Boyfriends) (Filipino Song) OPM205
BAKIT NGAYON KA LANG (Ogie Alcasid) (Filipino Song) OPM153
BAKYA MO NENENG (Filipino Song) OPM 82
BALATKAYO (Anthony Castelo) (Filipino Song) OPM 33
B A L E L E N G (Filipino Song)
BALLADE POUR ADELINE (Richard Clayderman)
1974 BAND ON THE RUN (Paul McCartney & Wings) R 158
BARONG TAGALOG (Filipino Song) OPM2
BASANG-BASA SA ULAN (Aegis) (Filipino Song) OPM57
BASTA’T MAHAL KITA (Filipino Song)
BATANG-BATA KA PA (Apo Hiking Society) (Filipino Song) OPM 72
1976 BATO SA BUHANGIN (Cinderella) (Filipino Song) OPM 73
BAWAL NA GAMOT (Willie Garte) (Filipino Song) OPM194
BAYAN KO (Freddie Aguilar) (Filipino Song) OPM 89
Source:
Music and Me by Roberto Hernandez
Tia Belau Newspaper
Pages 10-11
Volume 21
Issue 92
December 20, 2012
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